Information

These two studies of an old woman were actually used for the faces of two old men in Brown's painting 'Chaucer at the Court of Edward III' (1851, oil on canvas, Art Gallery of New South Wales, Sydney) begun in 1845. Originally 'Chaucer' was the central panel in a triptych honouring English poetry but Brown later found the project to be too ambitious and discarded the wings. Brown used the face of the old woman looking down for the ill-tempered courtier sitting nearest the lecturn on the left . He used the study of her face in profile for the old man, with a beard, sittting next to him. Brown must have wanted to study an elderly person and found that the efffect he wanted was not dependent on the sex of his sitter. These studies were completed in 1851 the same year that the painting was finished. The collection also holds drapery studies for these figures (see 1906P671, 1906P734 and 1906P735).LM

  • Purchased and presented by subscribers, 1906.
  • © Birmingham Museums and Art Gallery

Makers

Association Artist Organisation
Artist Ford Madox Brown -

Inscriptions

Type Position(s) Method Date(s) Notes
Ford M Brown London/51
Signature and date bottom right Handwritten 1851 Brown ink.
 

Exhibitions

Catalogue No. Venue Date(s)
Loan Collection of Works by English Pre-Raphaelite Painters
10 National Gallery of British Art (now Tate Britain) 1911-12 - 1912-03
 
Retrospective Exhibition of English Painting
17 Musée Moderne, Brussels 1929-10-12 - 1929 -12-01
 
English Eye IEnglish Eye I
3 Midlands Federation Travelling Exhibition 1958 - 1958
 
Ford Madox Brown: The Unofficial Pre-Raphaelite
25 Birmingham Museum & Art Gallery 2008-08-27 - 2008-12-14
 

Literature

Author(s) Date(s) Publisher Pages
Loan Collection of Works by English Pre-Raphaelite Painters
1911 National Gallery of British Art, London p. 2
 
City of Birmingham Museum and Art Gallery: Catalogue of the Permanent Collection of Drawings
A E Whitley 1939 City of Birmingham Museum and Art Gallery p. 36
 
Retrospective Exhibition of English Painting
1929 Musée Moderne, Brussels p. 28, cat. no. 17
 
Ford Madox Brown: The Unofficial Pre-Raphaelite
Laura MacCulloch, Tessa Sidey 2008 D. Giles Limited, London p. 54, 65; repr. p. 23

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