Information

These studies were made after Brown restarted work on 'Chaucer at the Court of Edward III' (1851, oil on canvas, Art Gallery of New South Wales, Sydney) following the completion of 'Wycliffe reading his Translation of the Bible to John of Gaunt in the Presence of Chaucer and Gower' (1848, oil on canvas, Cartwright Hall Art Gallery, Bradford). The full length figure is for the squire courting the lady on the far left of the composition. The figure on the right is for the courtier talking Gower (see 'The Exhibition of Work and other Paintings, 1865, p. 4). BMAG also holds a later drapery study for the squire's legs (1906P786) and hand studies for the courtier (1906P49). LM

  • Purchased and presented by subscribers, 1906.
  • © Birmingham Museums and Art Gallery

Makers

Association Artist Organisation
Artist Ford Madox Brown -

Inscriptions

Type Position(s) Method Date(s) Notes
Ford M Brown London 48
Signature and date bottom right Handwritten 1848 Brown ink.
 

Literature

Author(s) Date(s) Publisher Pages
City of Birmingham Museum and Art Gallery: Catalogue of the Permanent Collection of Drawings
A E Whitley 1939 Bemrose & Sons Ltd, Derby p. 36
 
Ford Madox Brown: The Unofficial Pre-Raphaelite
Laura MacCulloch, Tessa Sidey 2008 D. Giles Limited, London p. 65

Related work & resources

Discuss this work

Start a discussion about this work.

You need to login to discuss this work. Click here to login.

If you are not yet registered click here to become a member.
Find out more about membership