Information

This is a study the two women talking to a cardinal in Brown's painting 'Chaucer at the Court of Edward III' (1851, oil on canvas, Art Gallery of New South Wales, Sydney). The figure on the left who has very few features drawn in is likely to have been an artist's dummy. Professional artists models were expensive and we know from Brown's diary we know that he borrowed lay figures from his friends and also hired them from 'Briggs & Barbe's' a company providing supplies to arists in London (Virginia Surtees, ed., 'The Diary of Ford Madox Brown,' p. 32). In 1848 when he visited his friend Daniel Casey in Paris he bought a lay figure, most likely from Lechertier Barber, one of the most famous makers of lay figures. In the final version the two women have been altered and the woman on the right in this study has become an older woman wearing a head scarf and a dress with a high neckline.LM

  • Purchased and presented by subscribers, 1906.
  • © Birmingham Museums and Art Gallery

Makers

Association Artist Organisation
Artist Ford Madox Brown -

Inscriptions

Type Position(s) Method Date(s) Notes
Ford M Brown 47
Signature and date bottom left Handwritten 1847 Brown ink.
 

Literature

Author(s) Date(s) Publisher Pages
City of Birmingham Museum and Art Gallery: Catalogue of the Permanent Collection of Drawings
A E Whitley 1939 Bemrose & Sons Ltd, Derby p. 35
 
Ford Madox Brown: The Unofficial Pre-Raphaelite
Laura MacCulloch, Tessa Sidey 2008 D. Giles Limited, London p. 65

Associated people

Name Type
Geoffrey Chaucer Associated with
King Edward III Associated with

Related work & resources

Discuss this work

Start a discussion about this work.

You need to login to discuss this work. Click here to login.

If you are not yet registered click here to become a member.
Find out more about membership