Information
One of the few known easel paintings by the artist who studied at Birmingham School of Art. The model may have been her sister, Myra, who designed beaten metalwork including the frames for some of Bunce's paintings.The young woman playing a lute, framed by apple blossom, is facing an open window visible in the mirror behind her. The mirror frame is inscribed 'MUSICA' in the top left corner. She appears to be in a small private chapel with an image of the Virgin depicted in the stained glass, a crucifix and walls decorated with angels. Her necklace of gold set with pearls is a symbol of purity. The format of the composition, the use of ornate detail, the sensuous textures and the musical subject echoes Rossetti's female icons particularly the 'Blue Bower' (1865).
- Presented by Sir John Holder, Bt., 1897.
- © Birmingham Museums and Art Gallery
Makers
| Association |
Artist |
Organisation |
| Artist |
Kate Elizabeth Bunce |
- |
Inscriptions
| Type |
Position(s) |
Method |
Date(s) |
Notes |
| K B |
| Initials |
bottom left |
- |
- |
Initials in monogram. |
| |
| Rowney / 1884 |
| Company name |
- |
- |
- |
Inscription on canvas. |
| |
Exhibitions
| Catalogue No. |
Venue |
Date(s) |
| Oil Paintings lent by the Corp[oration of Birmingham |
| 28 |
Bradford, Cartwright Memorial Hall |
1910 - 1910 |
| |
| - |
| 86 |
Birmingham Art Circle |
1928 - 1928 |
| |
| The Last Romantics - The Romantic Tradition in British Art |
| 71 |
Barbican Art Gallery, London |
1989 - 1989 |
| |
| The Birmingham School |
| 50 |
Birmingham Museum & Art Gallery |
1990-07-28 - 1990-10-14 |
| |
| Pre-Raphaelite Women Artists |
| 72 |
Manchester City Art Gallery |
1997-11-15 - 1998-02-01 |
| 72 |
Birmingham Museums & Art Gallery |
1998-02-00 - 1998-04-00 |
| |
| The Blue Bower: Rossetti in the 1860s |
| 26 |
Barber Institute of Fine Arts, Birmingham |
2000-10-27 - 2001-01-14 |
| |
| The Pre-Raphaelites |
| 204 |
Nationalmuseum, Stockholm |
2009-02-26 - 2009-05-24 |
| |
Literature
| Author(s) |
Date(s) |
Publisher |
Pages |
| The Last Romantics - The Romantic Tradition in British Art |
| Peter Fuller |
1989 |
Barbican Art Gallery, London |
pl.71 |
| |
| Women Artists and the Pre-Raphaelite Movement |
| Jan Marsh, Pamela Gerrish Nunn |
1989 |
Virago, London |
pp.123-4 |
| |
| The Birmingham School |
| Stephen Wildman |
1990 |
Birmingham Museum & Art Gallery |
pl.50 |
| |
| Pre-Raphaelite Women Artists |
| Jan Marsh, Pamela Gerrish Nunn |
1997 |
Thames and Hudson, London |
p.14, pl.72 |
| |
| Birmingham Historian No 14 |
| Christina Bostock |
1997 |
- |
pp.13-16 |
| |
| The Blue Bower: Rossetti in the 1860s |
| Paul Spencer-Longhurst |
2000 |
Scala Publishers, London |
p.87, pl.26 |
| |
| The Pre-Raphaelites |
|
2009 |
Nationalmuseum, Stockholm |
cat.204,p.234; fig.56 |
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